{"id":117,"date":"2026-01-30T16:59:19","date_gmt":"2026-01-30T16:59:19","guid":{"rendered":"https:\/\/easarte.com\/?page_id=117"},"modified":"2026-02-05T19:25:35","modified_gmt":"2026-02-05T19:25:35","slug":"artistas","status":"publish","type":"page","link":"https:\/\/easarte.com\/en\/artistas\/","title":{"rendered":"Artists"},"content":{"rendered":"
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\n\t\t\t\t\t\r\n\r\n\r\n\r\n\r\nArtistas | UMBRA|ES<\/title>\r\n<link rel=\"preconnect\" href=\"https:\/\/fonts.googleapis.com\">\r\n<link rel=\"preconnect\" href=\"https:\/\/fonts.gstatic.com\" crossorigin>\r\n<link href=\"https:\/\/fonts.googleapis.com\/css2?family=DM+Sans:opsz,wght@9..40,300;400;500;700&display=swap\" rel=\"stylesheet\">\r\n\r\n<style>\r\n \/* --- 1. TIPOGRAF\u00cdA & RESET --- *\/\r\n \/* Fuente CODE simulada (Helvetica Bold Uppercase) si no carga localmente *\/\r\n h1, h2, h3, .brand-font, .artist-name, .artist-number, .artist-btn {\r\n font-family: 'CODE', 'Helvetica', sans-serif !important; \r\n text-transform: uppercase;\r\n font-weight: bold;\r\n letter-spacing: 2px;\r\n }\r\n\r\n \/* Fuente de lectura *\/\r\n body, p, .intro-text, .artist-desc {\r\n font-family: 'DM Sans', sans-serif !important;\r\n color: #111;\r\n line-height: 1.6;\r\n }\r\n\r\n body {\r\n background-color: #ffffff;\r\n margin: 0;\r\n padding: 0;\r\n overflow-x: hidden;\r\n }\r\n\r\n .container { max-width: 1200px; margin: 0 auto; padding: 0 20px; }\r\n\r\n \/* --- 2. HEADER DE LA SECCI\u00d3N (BANNER) --- *\/\r\n .artists-header {\r\n padding: 100px 0 60px 0;\r\n border-bottom: 2px solid #000;\r\n margin-bottom: 80px;\r\n position: relative;\r\n }\r\n\r\n .main-title {\r\n font-size: clamp(3.5rem, 8vw, 6rem); \/* T\u00edtulo responsivo *\/\r\n line-height: 0.9;\r\n margin-bottom: 20px;\r\n color: #000;\r\n }\r\n\r\n .sub-title {\r\n font-size: clamp(1.2rem, 3vw, 1.8rem);\r\n margin-bottom: 40px;\r\n color: #333;\r\n display: block;\r\n }\r\n\r\n .intro-wrapper {\r\n display: flex;\r\n justify-content: space-between;\r\n align-items: flex-end;\r\n flex-wrap: wrap;\r\n gap: 30px;\r\n }\r\n\r\n .intro-text {\r\n font-size: 1.1rem;\r\n max-width: 750px;\r\n color: #444;\r\n text-align: justify;\r\n border-left: 3px solid #000;\r\n padding-left: 25px;\r\n }\r\n\r\n \/* --- BOT\u00d3N LISTA DE PRECIOS (MODIFICADO: NEGRITAS) --- *\/\r\n .price-btn {\r\n font-family: 'CODE', 'Helvetica', sans-serif !important; \/* Misma fuente que t\u00edtulos *\/\r\n text-decoration: none;\r\n text-transform: uppercase;\r\n background-color: #fff;\r\n color: #000;\r\n border: 2px solid #000;\r\n padding: 15px 30px;\r\n font-size: 1rem; \/* Un poco m\u00e1s grande *\/\r\n font-weight: 800 !important; \/* NEGRITAS FUERTES *\/\r\n letter-spacing: 2px;\r\n transition: all 0.3s ease;\r\n display: inline-block;\r\n }\r\n\r\n .price-btn:hover {\r\n background-color: #000;\r\n color: #fff;\r\n transform: translateY(-2px);\r\n box-shadow: 0 5px 15px rgba(0,0,0,0.1);\r\n }\r\n\r\n \/* --- 3. ESTRUCTURA ZIG-ZAG DE ARTISTAS --- *\/\r\n .artist-row {\r\n display: flex;\r\n align-items: center;\r\n margin-bottom: 140px;\r\n gap: 80px;\r\n position: relative;\r\n }\r\n\r\n \/* Invertir orden en pares (Zig-Zag) *\/\r\n .artist-row:nth-child(even) {\r\n flex-direction: row-reverse;\r\n }\r\n\r\n \/* COLUMNA DE IMAGEN *\/\r\n .artist-image-col {\r\n flex: 1.2;\r\n height: 600px; \r\n position: relative;\r\n overflow: hidden;\r\n }\r\n\r\n .artist-image-col img {\r\n width: 100%;\r\n height: 100%;\r\n object-fit: cover;\r\n filter: grayscale(100%); \r\n transition: all 0.6s cubic-bezier(0.25, 1, 0.5, 1);\r\n }\r\n\r\n .artist-image-col:hover img {\r\n filter: grayscale(0%);\r\n transform: scale(1.03);\r\n }\r\n\r\n \/* COLUMNA DE INFO *\/\r\n .artist-info-col {\r\n flex: 1;\r\n position: relative;\r\n display: flex;\r\n flex-direction: column;\r\n align-items: flex-start;\r\n z-index: 1; \/* Para que el n\u00famero quede detr\u00e1s *\/\r\n }\r\n\r\n .artist-number {\r\n font-size: 8rem;\r\n position: absolute;\r\n top: -90px;\r\n left: -30px;\r\n color: #f2f2f2; \/* Gris muy claro *\/\r\n z-index: -1;\r\n line-height: 1;\r\n font-weight: 800;\r\n }\r\n\r\n .artist-name {\r\n font-size: 3rem;\r\n margin: 0 0 15px 0;\r\n border-bottom: 3px solid #000;\r\n padding-bottom: 10px;\r\n line-height: 1;\r\n }\r\n\r\n .artist-concept {\r\n display: block;\r\n font-size: 1rem;\r\n background: #000;\r\n color: #fff;\r\n padding: 5px 12px;\r\n margin-bottom: 25px;\r\n }\r\n\r\n .artist-desc {\r\n font-size: 1.05rem;\r\n color: #333;\r\n text-align: justify;\r\n margin-bottom: 35px;\r\n }\r\n\r\n \/* BOT\u00d3N ARTISTA *\/\r\n .artist-btn {\r\n text-decoration: none;\r\n background-color: #000;\r\n color: #fff !important;\r\n border: 1px solid #000;\r\n padding: 15px 40px;\r\n font-size: 0.9rem;\r\n transition: all 0.3s ease;\r\n display: inline-block;\r\n }\r\n\r\n .artist-btn:hover {\r\n background-color: #333;\r\n transform: translateY(-3px);\r\n box-shadow: 0 5px 15px rgba(0,0,0,0.2);\r\n }\r\n\r\n \/* --- RESPONSIVE MOBILE --- *\/\r\n @media (max-width: 900px) {\r\n .artists-header { padding-top: 60px; margin-bottom: 60px; }\r\n .main-title { font-size: 3.5rem; }\r\n \r\n .intro-wrapper { flex-direction: column; align-items: flex-start; }\r\n .intro-text { padding-left: 0; border-left: none; border-top: 3px solid #000; padding-top: 20px; }\r\n \r\n .price-btn { width: 100%; text-align: center; }\r\n\r\n \/* Romper el zig-zag en m\u00f3vil (todo vertical) *\/\r\n .artist-row, .artist-row:nth-child(even) {\r\n flex-direction: column;\r\n gap: 40px;\r\n margin-bottom: 100px;\r\n }\r\n\r\n .artist-image-col {\r\n width: 100%;\r\n height: 450px;\r\n }\r\n\r\n .artist-number {\r\n font-size: 5rem;\r\n top: -50px;\r\n left: 0;\r\n }\r\n \r\n .artist-name { font-size: 2.5rem; }\r\n \r\n .artist-btn {\r\n width: 100%;\r\n text-align: center;\r\n box-sizing: border-box;\r\n }\r\n }\r\n<\/style>\r\n<\/head>\r\n<body>\r\n\r\n<div class=\"container\">\r\n \r\n <header class=\"artists-header\">\r\n <h1 class=\"main-title\">THE ARTISTS<\/h1>\r\n <h2 class=\"sub-title brand-font\">TWELVE WAYS TO CROSS THE THRESHOLD<\/h2>\r\n \r\n <div class=\"intro-wrapper\">\r\n <div class=\"intro-text\">\r\n <p>In <strong>UMBRA|ES<\/strong>, Each artist activates a specific passage. It's not about styles or disciplines, but about operations of consciousness. Each project functions as an autonomous device that, when brought together with the others, constructs a common field of expanded experience. Here, the threshold is not a metaphor. It is a practice.<\/p>\r\n <\/div>\r\n \r\n <a href=\"https:\/\/easarte.com\/en\/lista-de-precios\/\" class=\"price-btn\">\r\n VIEW PRICE LIST\r\n <\/a>\r\n <\/div>\r\n <\/header>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/RAMON-POUS.png\" alt=\"Ram\u00f3n Pous Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">01<\/div>\r\n <h3 class=\"artist-name\">RAM\u00d3N POUS<\/h3>\r\n <span class=\"artist-concept\">Ontology of feeling<\/span>\r\n <p class=\"artist-desc\">Ram\u00f3n Pous's work is situated in the realm where feeling precedes language. His practice understands perception as a form of direct knowledge, unmediated by rational categories. The body, both his own and others', becomes the site where the work unfolds. The threshold he proposes is not merely observed; it is inhabited.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/ramon-pous\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/HECTOR-FALCON.png\" alt=\"H\u00e9ctor Falc\u00f3n Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">02<\/div>\r\n <h3 class=\"artist-name\">HECTOR FALC\u00d3N<\/h3>\r\n <span class=\"artist-concept\">Polysemous ellipsis<\/span>\r\n <p class=\"artist-desc\">H\u00e9ctor Falc\u00f3n employs fragmentation, omission, and ambiguity as conscious strategies. His works don't close off meanings, they open them up. Ellipsis is not absence, but latent potential. The threshold appears when meaning is suspended, forcing the viewer to complete or accept the incomplete.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/hector-falcon\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/DAVID-TROICE.png\" alt=\"David Troice Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">03<\/div>\r\n <h3 class=\"artist-name\">DAVID TROICE<\/h3>\r\n <span class=\"artist-concept\">Ratio Mundi<\/span>\r\n <p class=\"artist-desc\">David Troice's practice revolves around systems of order, scale, and interpretation of the world. His works question the frameworks through which we understand reality and propose shifts in perspective that deactivate the urgency of detail. The threshold is cognitive, an invitation to reframe.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/david-troice\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/KATYA-GARDEA-BROWNE.png\" alt=\"Katya Gardea Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">04<\/div>\r\n <h3 class=\"artist-name\">KATYA GARDEA<\/h3>\r\n <span class=\"artist-concept\">D-Structures \/ Zoom Out<\/span>\r\n <p class=\"artist-desc\">In Katya Gardea Browne's work, form is never definitive. Her practice is built upon constant mutation, visible correction, and the accumulation of decisions. Painting is a thought process in motion. The threshold is not crossed once, but continuously.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/katya-gardeabrowne\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/NICOLAS-GUZMAN.png\" alt=\"Nicol\u00e1s Guzm\u00e1n Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">05<\/div>\r\n <h3 class=\"artist-name\">NICOL\u00c1S GUZM\u00c1N<\/h3>\r\n <span class=\"artist-concept\">Progressive painting<\/span>\r\n <p class=\"artist-desc\">Nicol\u00e1s Guzm\u00e1n's work conceives of painting as a living organism. Each layer records a state, a transformation, an internal transmutation. There is no final image, but rather a continuous process. The threshold manifests as a slow and conscious transition of matter toward another condition.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/nicolas-guzman\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/SEBASTI-TORRES.png\" alt=\"Sebasti\u00e1n Torres Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">06<\/div>\r\n <h3 class=\"artist-name\">SEBASTIAN TORRES<\/h3>\r\n <span class=\"artist-concept\">Transmutation<\/span>\r\n <p class=\"artist-desc\">Sebasti\u00e1n Torres works with the idea of profound transformation, both material and symbolic. His pieces retain the trace of the process as an essential part of their meaning. The work does not conceal change; it reveals it. The threshold is the point where something ceases to be what it was and becomes something else.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/sebasti-torres\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/SANTO-GUICHON.png\" alt=\"Santo Guich\u00f3n Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">07<\/div>\r\n <h3 class=\"artist-name\">SAINT GUICH\u00d3N<\/h3>\r\n <span class=\"artist-concept\">Electroart<\/span>\r\n <p class=\"artist-desc\">In Santo Guich\u00f3n's work, energy, sound, and technology become tangible matter. His works operate through resonance rather than representation. The experience is not merely visual; it is vibratory. The threshold is acoustic, energetic, and corporeal.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/santo-guichon\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/DAMIAN-SUAREZ.png\" alt=\"Dami\u00e1n Su\u00e1rez Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">08<\/div>\r\n <h3 class=\"artist-name\">DAMI\u00c1N SU\u00c1REZ<\/h3>\r\n <span class=\"artist-concept\">Times of glory<\/span>\r\n <p class=\"artist-desc\">Dami\u00e1n Su\u00e1rez's work lies between the epic and the introspective. "Times of Glory" doesn't allude to an idealized past, but rather to a dignity possible in the present. His pieces construct images of resistance and permanence. The threshold he proposes is ethical, a stance taken in relation to the time we inhabit.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/damian-suarez\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/LAURA-MONTES-DE-OCA.png\" alt=\"Laura Montes de Oca Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">09<\/div>\r\n <h3 class=\"artist-name\">LAURA MONTES<\/h3>\r\n <span class=\"artist-concept\">Originating body<\/span>\r\n <p class=\"artist-desc\">Laura Montes de Oca explores the body as a primary archive. In her work, the origin is not a fixed point, but an active force that is reactivated in the present. The body appears as a foundational threshold, a place where memory, time, and experience are inscribed.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/laura-montes-de-oca\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/CARLOS-GENOVA.png\" alt=\"Carlos G\u00e9nova Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">10<\/div>\r\n <h3 class=\"artist-name\">CARLOS G\u00c9NOVA<\/h3>\r\n <span class=\"artist-concept\">Time Warp<\/span>\r\n <p class=\"artist-desc\">In Carlos G\u00e9nova's practice, time folds, distorts, and materializes. His works generate fields where temporal perception is altered, producing experiences of suspension and displacement. The threshold is temporal, a break in linearity.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/carlos-genova\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/LE-SER-DELUZ-1.png\" alt=\"Le Ser Deluz Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">11<\/div>\r\n <h3 class=\"artist-name\">TO BE LIGHT<\/h3>\r\n <span class=\"artist-concept\">Trudelight<\/span>\r\n <p class=\"artist-desc\">In Le Ser Deluz's work, light is not illumination, but structure. His pieces construct perceptual architectures where space folds and the gaze is disoriented. The threshold appears as a twist of the visible, a passage to another form of perception.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/le-ser-deluz\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n <div class=\"artist-row\">\r\n <div class=\"artist-image-col\">\r\n <img decoding=\"async\" src=\"https:\/\/easarte.com\/wp-content\/uploads\/2026\/01\/SOFIA-TORMENTA-Y-RAFAEL-DURAND.png\" alt=\"Sof\u00eda Tormenta Obra\">\r\n <\/div>\r\n <div class=\"artist-info-col\">\r\n <div class=\"artist-number\">12<\/div>\r\n <h3 class=\"artist-name\">SOFIA TORMENTA<\/h3>\r\n <span class=\"artist-concept\">Zen Futurism<\/span>\r\n <p class=\"artist-desc\">Sof\u00eda Tormenta articulates a poetics where speed and stillness coexist. Zen futurism proposes a state of expanded awareness, where the technological and the contemplative merge. The threshold is not a rupture, but a refinement, a lucid presence within the contemporary flow.<\/p>\r\n <a href=\"https:\/\/easarte.com\/en\/sofia-tormenta-rafael-durand\/\" class=\"artist-btn\">VIEW ARTIST<\/a>\r\n <\/div>\r\n <\/div>\r\n\r\n<\/div>\r\n\r\n<\/body>\r\n<\/html>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Artistas | UMBRA|ES LOS ARTISTAS DOCE MODOS DE CRUZAR EL UMBRAL En UMBRA|ES, cada artista activa un pasaje espec\u00edfico. No se trata de estilos ni de disciplinas, sino de operaciones de conciencia. Cada proyecto funciona como un dispositivo aut\u00f3nomo que, al reunirse con los dem\u00e1s, construye un campo com\u00fan de experiencia expandida. Aqu\u00ed, el umbral […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-117","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/easarte.com\/en\/wp-json\/wp\/v2\/pages\/117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/easarte.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/easarte.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/easarte.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/easarte.com\/en\/wp-json\/wp\/v2\/comments?post=117"}],"version-history":[{"count":37,"href":"https:\/\/easarte.com\/en\/wp-json\/wp\/v2\/pages\/117\/revisions"}],"predecessor-version":[{"id":1107,"href":"https:\/\/easarte.com\/en\/wp-json\/wp\/v2\/pages\/117\/revisions\/1107"}],"wp:attachment":[{"href":"https:\/\/easarte.com\/en\/wp-json\/wp\/v2\/media?parent=117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}